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15-18 October 2026
15-18 October 2026
Site Installation
Alexdrina Chong (b.1977) is a Malaysian multidisciplinary artist whose work bridges illustration, literature, fine art, and design.
A former senior designer and educator in the US, she returned to Malaysia to found So+Co, a branding studio that integrates design with social impact. Her work explores memory, grief, healing, and the quiet philosophy of becoming.
Farhan Rizuwan (b.2002, Kedah, Malaysia)’s practice investigates the anthropomorphic and emotional possibilities embedded within ordinary objects. By deconstructing and reconstructing chairs, he transforms familiar forms into subtly animated structures that echo human gestures, postures, and psychological states. His sculptures often operate as stand-ins for the body, using the language of curvature, tension, and balance to explore themes of identity, presence, and the evolving nature of human experience. Guided by an interest in movement and transformation, Farhan positions the chair as a metaphor for lived reality, an object that shifts between function and expression as it is reshaped by narrative and emotion. Through these sculptural interventions, he invites viewers to reconsider their relationship with the everyday and to reflect on how objects can embody the complexities of human existence. Majoring in sculpture, Farhan ’s practice centres on reimagining everyday furniture, most notably chairs, as poetic sculptural forms. His work explores anthropomorphism, human identity, and emotional experience by transforming ordinary objects into metaphors of the body and its gestures.
Lee Mok Yee (b. 1988, Klang, Malaysia) is a visual artist based in Kuala Lumpur, Malaysia. Working across sculpture, installation, video, and performance, his practice investigates material culture through ordinary materials and their connections to ritual, labor, and place. Beginning with found and mass-produced objects, he recontextualizes familiar
objects to uncover the social, cultural, and historical narratives they embody. Drawing from the material cultures of Chinese communities across Southeast Asia, his work reflects on how materials mediate relationships between people, place, and cultural values.
Mok Yee graduated from Dasein Academy of Art, Kuala Lumpur, and received a BA (Hons) in Fine Art from Middlesex University, London. He was awarded the Gold Prize at the UOB Painting of the Year (Malaysia) in 2021 and has participated in artist residencies in France and the United Kingdom. His work has been exhibited internationally across Southeast Asia and Europe. Collaboration forms an integral part of his practice, and he regularly works with artists, performers, architects, and local communities to develop interdisciplinary projects through research, dialogue, and shared making.
Najib Ahmad Bamadhaj (b. 1987, Muar, Johor, Malaysia) is a prominent Malaysian artist renowned for his thought-provoking exploration of society and politics. A Fine Art graduate from UiTM Shah Alam (2010), Najib’s practice combines keen observation with refined technical skill. He is a founding member of the RUMPUN artist collective, Co-Founder of TOKO ART, and the creator of Ruang Bamadhaj, an artist-run space fostering creativity.
Najib’s works, which often focus on themes such as women, animals, flowers, and natural scenery, challenge perspectives and inspire action. His solo exhibitions, including Great Migration (2012), Survival (2015), Pride and Prejudice (2020), The New Beginning (2023), Through His Eyes (2025) and The Promised Garden (2025) illustrate his artistic evolution. Internationally, his art has been showcased in Singapore, Jakarta, Japan, Taiwan, Korea, and Europe.
Neoh Shin Yen (b.1987, Penang, Malaysia ) is a contemporary artist whose practice explores themes of memory, place, and lived experience through painting and mixed-media works. Drawing from personal observations and everyday encounters, Neoh investigates the relationship between individual narratives and broader social landscapes. The artist has participated in exhibitions across Malaysia and internationally, and continues to live and work in Penang, Malaysia.
Phillip Wong (b. 1968, Seremban, Malaysia) is a Malaysian contemporary artist, curator, and arts advocate. He graduated with a Diploma in Commercial Art from the Malaysia Institute of Art in 1990. Over the course of his career, he has developed a multidisciplinary practice spanning painting, installation, and transparent painting on glass and Perspex, often exploring themes of the human mind, emotion, spirituality, and the interconnectedness between humanity and nature.
Wong has exhibited extensively in Malaysia and internationally, with solo and group exhibitions across South Korea, Japan, Thailand, China, Indonesia, and the United Arab Emirates. His achievements include the Grand Prize at the Asia Art Award in Seoul (2007), Malaysia Top Fashion Artist – Top 5 Asian (2016), and Art Curator of the Year at STYLO Malaysia Fashion Week (2019). He also served as a Board Member of Malaysia's National Visual Arts Development Board from 2008 to 2020, contributing actively to the development of the country's visual arts landscape. His works are held in public and private collections in Malaysia and abroad.
Samantha Lee (b.1993, Malaysia) is an artist and technologist, working across video, sculpture, installation, and computational systems. Her work explores how technologies shape perception, memory, and the construction of the self.
She is drawn to moments when reality tips into the absurd, when memory fractures, and when technological mediation feels more intimate than lived experience. Her practice asks how culture takes shape through quiet, repetitive acts. What we scroll, imitate, or stage gently embeds itself into our ways of thinking and being.
Many of her works intentionally resist easy documentation. Dimly lit and slow to unfold, they invite viewers to stay with what can’t be easily shared or replayed.
Wong Perng Fey (b. 1974, Kuala Lumpur, Malaysia) is a multidisciplinary artist whose work explores the relationship between permanence, change, and memory through the medium of painting. His artistic practice is deeply influenced by the subtle, often overlooked traces left behind by human presence in living spaces—whether it be graffiti, scratches on walls, or the remnants of rooms exposed during urban demolition. These fragments, which he first encounters when arriving in a new city, evoke a sense of nostalgia and belonging, inspiring Perng Fey to capture the emotions and histories embedded in these spaces.